"A Favoured Spot"
Medium: Oil on Canvas
Size: 24" x 28"

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This oil painting entitled A Favoured Spot is a scene on Mirond Lake Saskatchewan. This painting depicts Saskatchewan’s Precambrian Sheld which is lovely to look at (a photographers delight) and a pleasure to experience. The waters of Mirond Lake are clean, clear and cold. It is places such as this that the Common Loon choose to make their home.

The Loon family in this painting include the female carrying her chick on her back and the male in a common pose in the foreground. This pose is used by the male loon to “show off” (also called posturing) to the female and is portrayed by the female as well during the mateing season.

The Common Loon family usually has one or two chicks. Both parent birds will carry the chick or chicks both to warm them and also to protect the chicks from predation from fish such as the Northern Pike. The parent bird will cuddle the chick/s with their wings on their back and dive underwater when necessary with the chick/s clinging tightly to the underfeathers of the parent bird.

The Common Loon, which is anything but common, can be traced back at least sixty million years. They are thought to be the most ancient of Canadian birds. This in no sense means that the loon is a simple organism. It is one of the world’s more sophisticated animals superbly adapted to life in the water.

Designed as a fish-catching machine, it has a projectile-shaped body, strong propulsive feet mounted well to the rear, remarkable vision, and a javelin-like bill, all of which add up to awesome efficiency. It can stay submerged for three minutes or more and can dive to depths of two hundred feet. Elaborate physiological processes conserve oxygen. Also it can alter its specific gravity at will, sinking into the water like a submarine until only its head is showing. This is possible because it has relatively solid bones for a bird and it is able to press air from its lungs, plumage, and elsewhere to give it the desired level of buoyancy.

In its specialization it has had to sacrifice mobility on land. Its legs are set so far back on its body that the bird can scarcely move and is forced to hump itself along, seal-like, on its breast and belly or to use its wings and bill as props when moving on land.

The result is evident when the heavy, goose-size (28-36 inches) bird takes off. It has to taxi quite a distance to become airborne and once aloft must beat its wings very rapidly to maintain altitude. It cannot take off at all from land and therefore nests very close to shore.

The voice of the Common Loon is an unforgettable spine-tingling feature of the northern forest especially after nightfall when the air is still. It has become a signature sound of the north, and one awaited by visitors and residence alike.

Where they can find seclusion from the increasingly ubiquitous out-board motorboat (bane of the lake country and its wildlife) loons breed throughout the northern part of the northern hemisphere. There are four species all of which can be found in Canada.

It is the hope of the artist that everyone enjoying the north will do there part in helping to preserve this magnificent bird and it’s habitat for it is as we all are, creatures of God.

Watch for future paintings of the other members of the loon family!